Production process

Tools

Cinema 4D for modelling; After Effects for editing and colour; Houdini for the explosion effect; Blender for cloud elements.

Watch film

Final film

Terrain: A changing map of Beijing suggests the repeated movement and displacement of lower-income workers.

Newspaper: Public reporting becomes a surface that bends, layers, and changes under pressure.

Light and weather: Shifts in illumination and hostile weather extend the event's duration and severity.

Particles, map, and text: Fragments disperse and reassemble, linking location, public language, and population.

Explosion and cloud: The initiating fire returns as an exceptional rupture rather than a decorative effect.

Verified record

Project facts

Published October 2021First work in the Public Secrets series2017 Beijing low-end population
mapsnewspaper textweatherparticlessmokeexplosion forms
Concept3D scene constructionMotion designEditing / color
Cinema 4D — 3D modelingAfter Effects — editing and colorHoudini — explosion effectsBlender — cloud elements
Evidence status

Project recognition

Source-linked records for this project.

  • Official award record

    2022 Young Ones ADC Student Gold Cube

    Category
    Motion / Film Craft / Motion Graphics
    Annual ID
    YO22_A025G

    Official project-level award record

    EvidenceOfficial One Club archive ↗
  • Archived portfolio record

    The Rookies 2021

    3D Animation Rank A
    Category
    3D Animation

    Original-site record; no verified current direct Rookies result URL

    EvidenceOriginal project page ↗

Original project documentation

Research archive

Research references and project notes remain in source order. Archived author research text from 2021–2022; factual claims and source availability have not been independently reverified for this publication.

Reference images remain in their original research context and are not presented as Ben Ma's authored artwork.

Project overview

This is the opening moving-image work in the Public Secrets series.

The project uses 3D motion design to translate a public event into an indirect visual language.

Written research and moving image operate together: one establishes the event record, while the other turns that record into spatial and temporal experience.

The guiding question was how digital art could engage with political subjects that were widely recognised but difficult to discuss directly.

Survey

Revolutionary Rebel Command of the Shanghai Publishing System; Revolutionary Rebel Committee of the Shanghai People’s Fine Arts Publishing House. Gaoju Mao Zedong sixiang weida hongqi ba wuchan jieji wenhua dageming jinxing daodi – geming wuzui, zaofan youli. 1966-1967.

For a detailed investigation and analysis, please see my research proposal: https://kdocs.cn/l/cqCi3Q4PU0xZ.

In short, a public secret is a concept or idea that is “officially” kept secret or restricted from knowledge, but which may be widely known in practice.

Or, it refers to something that is widely known as a fact, but that no one most closely associated with it is willing to categorically admit in public.

In China, a typical case of public secrecy is the Cultural Revolution.

Moodboard

Maxim Zhestkov, Igor Sordokhonov. Distortion. 2021. https://www.behance.net/gallery/124878335/Research-Distortions.

The use of multiple layers of objects in different colors or the overlay of multiple layers of paper to form different shapes fascinated me when I first saw this series of drawings.

The proposed visual system combines abstract scenes with imagery tied to specific events.

Abstract moving forms were intended to represent tension between collective struggle and government pressure.

Newspaper surfaces were intended to suggest how reported facts can be bent, recoloured, or obscured.

Revenant. Marble Run. 2021. https://www.behance.net/gallery/125632003/Marble-Run.

I was very inspired by this work. I want to use abstract objects to suggest public secret events or the parties involved in the events. The motion of an object can represent many things.

For example, a hint that something was raging, or that something had been forgotten, or even that some public secret remained in the memory of the masses.

It can also imply that some key figures are always pursuing the truth or outcome of some public secret, despite the difficulties of circumstances and the obstruction of others.

Proposed research scope

The original proposal considered public-secret events in China since 2000—or, alternatively, since Xi Jinping took office—alongside related visual artworks and artists as prospective cases.

Selection criteria

The project used three criteria to select cases:

1. The events are public, participated in or led by the Chinese government, and have an impact within China.

2. The events have been somewhat politicized by some artists who have engaged with them through digital art.

3. None of the incidents were officially sanctioned by The Chinese government, which suppressed them through political censorship or digital means.

Incident context

Event date

18 November 2017

Incident overview

The film centres on the fire in Xinjian Second Village, Xihongmen Town, Daxing District. The original project record notes 19 deaths and eight injuries.

Media restrictions

The original research record notes restrictions on media reporting after the fire and the use of official news copy.

Restricted public discussion

The rest of the help posts and exposure posts on Douban have been deleted:

Archived web recordOriginal source link unavailable (checked 2026-07-15)

Surviving photographsOriginal source link unavailable (checked 2026-07-15)

Related artistic responses

The archived research cited an article examining Beijing's urban structure and the policy label 'low-end population.'

The “Wind from Beijing —— Yang Thousand Exhibition” opened at the White Box Art Museum, which shows the artist’s latest works “Beijing Waste”, “Cinct”, “Ladder” and “Bell”, with the theme of the low-end population in Beijing.

Beijing clean up low-end population documentary Chung “After the Fire”

Related cases

Shanghai, 2022

The archived research identified Shanghai's 2022 COVID-19 lockdown as a later case study, citing reports of prolonged confinement, disrupted access to food and income, and public criticism of the authorities' response.

Many artists have used digital art to express their dissatisfaction with the Shanghai government and have even held art creation competitions around the theme of the Shanghai epidemic.

永远的草莓园 . “四月之声.” 【CDTV】永远的草莓园|四月之声, https://chinadigitaltimes.net/chinese/680095.html. Accessed 29 Apr. 2022.

海辛. “Steampunk Shanghai.” AI, Art, Shanghai, https://docs.qq.com/slide/DV3hGcXVIS1BTTUVp. Accessed April 29, 2022.

The Shanghai 2022 epidemic event can be described as an amalgamation of many small Chinese public secrets with a new event occurring almost every week since March.

The number of people affected by this event is large, and the duration is long. The number of metaphorical digital artworks produced during this time is significant. Therefore, this event is well worth studying.

Fengxian case

The archived research described the Xuzhou chained-woman case, which drew national attention in early 2022 after a video showed a woman being confined in Feng County, Jiangsu. Conflicting official statements and subsequent investigations intensified public concern about trafficking, abuse, and the protection of vulnerable people.

By creating digital art, many artists used the incident to call on the Chinese government to protect rural women and people with mental illnesses, combat trafficking and sexual abuse of women and children in rural China, and question the local government’s actions and official media in the incident.

The Fengxian Chain Girl incident is arguably one of the special public secrets in China since the 21st century. This incident refers to women’s issues such as women’s rights and trafficking of women in the countryside, which is rare in China and is an event that is very worthy of study.

撒盐少年. ” Xuzhou Chained Woman Incident.” 被狗链拴住20年的母亲, https://posts.careerengine.us/p/62010b63dc1bfe7ac11e2ffe?from=latest-posts-panel&type=title. Accessed April 29, 2022.

Blood Room Map

The archived dossier described Blood Room Map as an electronic map marking forced-demolition locations in mainland China; its current availability has not been reverified.

These adjacent cases remain part of the original research horizon; they are not presented as completed works in this project.

Methodology

I express my understanding and analysis of public secret events in China by creating digital media works.

After studying digital media art in college and graduate school, I am passionate and creative about making digital media artworks. I hope to combine my mastery of artistic expression and political events through metaphorical means. At the same time, almost all of China’s public secrets after the 21st century are inextricably linked to the Internet, and expressing them through digital art is in line with the times.

I chose a practice-led method because written research and moving image could work together: the text establishes the record, while the film translates it into spatial and temporal experience.

The film received a 2022 Young Ones ADC Student Gold Cube in Motion / Film Craft / Motion Graphics. In the original proposal, that recognition supported the decision to continue exploring practice-led research through moving image.

The film models newspaper, changing text, an urban explosion, and a map of Beijing as visual metaphors for the fire, official reporting, and the displacement that followed.

These elements, together with explanatory text, were intended to make the event legible to viewers unfamiliar with its Chinese context.

The original proposal anticipated additional moving-image studies of other public-secret events.

It also considered AI-generated imagery and NFTs as possible media; these were prospective directions, not outcomes documented on this page.